When I started with photography back in the stone ages there was a natural brake to experiments, at least for me: the cost of the film. As a teenager, I simply couldn’t afford to shoot dozens and dozens of pictures to get one right. But that would’ve been my only way into night photography. So I clung to the somehow limited range my Pentax MX offered for exposure measurement. And kept my finger away from the magical BULB setting, even if it twitched like hell.
Times were changing, digital cameras came creeping in (believe me, my first digital, a Kodak, was creeping and creepy at best). Suddenly, the cost of the film vanished. Not so noisy. I’ll never forget the first results of long-time exposure with these toys. But to be fair, my first real good digital, a Nikon D100, was not better in this discipline. Pure noise, colors washed out, simply unusable, even by the standards of the early zeros.
But now, oh goddess of light, I got my new Lumix G9. Weather was nice, lockdown over, things don’t feel as spooky as a few weeks ago. So I went out at night, avoiding gatherings – and shot for the first time with a capable camera long-time exposures. I don’t want to exaggerate, but it felt like my first black and white prints in a bowl with the developer. Simply amazing, down to the waiting for the camera to finish the de-noising process. I love it! Suddenly there is no instant gratification – but results worth the wait.
So, shoulder your tripods, get out into the dark, use the available light, and enjoy the bokeh unfolding.
Friedensengel details of the fountain details of the fountain details of the fountain people enjoying the night people enjoying the night Isar river Prinzregentenstrasse Prinzregentenstraße Friedensengel and fountain Friedensengel view towards Prinzregentenstraße the fountain a nightly break
